Charlie Chaplin Video & Audio

Hanging Out at Tanglewood

Hanging Out at Tanglewood

The Brecht-Weill opera masterpiece from 1930 -- "The Rise and Fall of the City of Mahoganny" -- plays like a raucous contemporary tragedy at Tanglewood.

Audio|Wed, 6 Aug 2008|More from Open Source
|charlie chaplinfound at3:53

“…I think you're listening thinking Charlie Chaplin gold rush but also important investment -- a -- crossroads here European and American. Nineteenth centuries when it first whatever it's a true an -- think about also. You know. Charlie Chaplin doing his version of Hitler. -- great dictator and and then according -- was actually totally influenced him. So wouldn't have been …”

Skeptics Guide #150 - June 4th, 2008

Skeptics Guide #150 - June 4th, 2008

Interview with Walter Isaacson; News Items: New Hoax Alien Video, Solar Power from Sapce, Anti-Vaccine March on Washington, CAM in New Zealand Follow Up; Your Questions and E-mails: Cold Fusion; Science or Fiction

Audio|Sat, 7 Jun 2008|More from The Skeptics' Guide to the Universe
|charlie chaplinfound at37:20

“…ending the comes suddenly the world's greatest super celebrity updates are. But Charlie Chaplin and Charles Lindbergh. …”

Dan Ariely, author of Predictably Irrational, about Open Source

Dan Ariely, author of Predictably Irrational, about Open Source

An interview with behavioral economist Dan Ariely that looks at the concepts covered in his book "Predictably Irrational: The Hidden Forces That Shape Our Decisions" and how they may be applied to thinking about Open Source software. Recorded: March 2, 2008 Length: 55:54, Size: 25.5MB

Audio|Thu, 6 Mar 2008|More from Dan Bricklin's Log Podcast
|charlie chaplinfound at31:53

“…ended -- most of he's just lost. And it would any company Charlie Chaplin. . Days who moving away from days would be created something to the days when they creating a pot of something in Austin. …”

Paul Perry Podcast 103007

Paul Perry Podcast 103007

Audio|Thu, 1 Nov 2007|More from Paul Perry
|charlie chaplinfound at3:40, 4:26

“…this question in which band rather I'm sorry in which hand. Did Charlie chaplin's carry his pain. Now he gave us one of -- three responses the -- are you there. I think you'll lose you …”

“…you guess what he did aren't your -- analysts trying to Charlie chaplin carried his pain in his left hand. Starred -- and I don't know whether plotting that that's bad of them. I have …”

Paul Perry Podcast 101207

Paul Perry Podcast 101207

Audio|Wed, 17 Oct 2007|More from Paul Perry
|charlie chaplinfound at2:20

“…meaning yeah I knew that -- weekend in my here we go Charlie chaplin was the first performer to earn more than one million a year is that yes or B asks Mike what is that …”

The Pervert's Guide to Cinema

The Pervert's Guide to Cinema

The Slovenian theorist Slavoj Zizek, and what he calls The Pervert's Guide to Cinema. He puts the Marx Brothers, Psycho, and The Conversation on the couch, using psychoanalysis to understand movies and movies to understand psychoanalysis.

Audio|Thu, 22 Mar 2007|More from PRI: Open Source
|charlie chaplinfound at0:48

“…about the practice and it worked in fiction or a movie like Charlie chaplin's city lights and for Alfred Hitchcock's vertigo or David Lynch's blue velvet. Believe it more than you leaving your real life. We …”

All Songs Considered for Thursday, 24 Aug 2006

All Songs Considered for Thursday, 24 Aug 2006

Bob Dylan, Led Zeppelin as Tuva throat singing, more. With host Bob Boilen.

Audio|Thu, 24 Aug 2006|More from NPR: All Songs Considered
|charlie chaplinfound at27:59

“…CD modern times modern times is also the name of the incredible Charlie chaplin film. May not know the Charlie chaplin wrote the musical theme to modern times -- the most beautiful songs i know and he can hear Madeleine Cairo clothes that …”

Samuel Beckett: Nothing Funnier Than Unhappiness

Samuel Beckett: Nothing Funnier Than Unhappiness

[ Scheduled for Aired on Thursday 20 April 2006] Click to Listen to the Show (24 MB MP3) David Mamet nails it. "He was a great kisser," Mamet faxes the New York Times in answer to the centennial survey of American playwrights on the modernist master, Samuel Beckett. Lutfi Ozkok's Beckett [Courtesy Arcade Publishing ] It helps in the Times piece to see Jane Brown's late portrait of Beckett's craggy, catatonic "face full of trenches." But it's Mamet's crack, from our own "prince of f***ing darkness," that confirms precisely what Tony Kushner observes as the essential Beckett effect -- "the way the writing is pitched on the line between profundity and meaninglessness," with a burst of rude laughter, I would add. "Nothing is funnier than unhappiness," says Nell in Beckett's "Endgame." So on the occasion of his hundredth (April 13), amid readings and Beckett performances around the world, we are beginning again with Beckett: the grimly prolific minimalist, the generous recluse, the gaunt ex-athlete (a 7-handicap golfer in his youth), the Protestant Dubliner who moved to Paris and preferred to write his major works in French and recreate them in English; the pianist who loved to play Haydn, Beethoven and Mozart (not Bach) and worshipped Schubert, most especially for his late song cycle, Die Winterreise , the "Winter Passage" of a lonely traveler toward a very Beckettian madness and death. Once at a cricket match a friend remarked to Beckett that it was "the sort of day that makes one glad to be alive." Beckett hesitated: "Oh, I don't think I would go quite so far as to say that." We know him best in those revolutionary plotless dramas of people stuck on the way to nowhere. Most famously, "Waiting for Godot," which begins with Estragon's line: "Nothing to be done." It ends with Estragon asking his fellow tramp, "Well, shall we go?" and Vladimir answering, "Yes, let's go." Beckett's stage direction at the curtain reads: " They do not move ." Everywhere in Beckett we feel him refining literature in the direction of music, but also diminishing the noise of too many words toward silence. He was an endlessly dedicated and productive writer in lifelong struggle with artistic expression itself. As in the novel Molloy : "Not to want to say, not to know what you want to say, not to be able to say what you think you want to say, and never to stop saying, or hardly ever, that is the thing to keep in mind, even in the heat of composition." And in the last words of The Unnamable , closing his great mid-century trilogy of novels: "You must go on, I can't go on, I'll go on." Great words for these despairing times. Let's get busy on Beckett. Where shall with go with his legacy? Extra-Credit Reading Edna O'Brien, Laughter in the dark , The Guardian , March 11, 2006 (via Bookslut ) Apmonia , a "vain attempt to blend the opposites in the heart of Samuel Beckett" manned by two young Irish lit buffs in Canada The Samuel Beckett On-Line Resources and Links Pages , an exhaustive gathering The Samuel Beckett Endpage , hosted by the University of Antwerp UbuWeb Sound: Beckett MP3s of Beckett plays performed for the BBC from the amazing UbuWeb Sound (via Edward Champion , via Warren Ellis ) Tim Conley Co-edits a Beckett blog Apmonia a code word from the novel Murphy. He’s Professor of English and Comparative Literature at Brock University in Ontario—his new book of short stories is titled Whatever Happens . Richard Seaver Translator, Editor Richard Seaver encountered Samuel Beckett and his work as an American student in Paris in the early 1950’s. He joins us from New York. Steve Cosson Founding Artistic Director of New York based theater company The Civilians Anne Atik American-born poet, married to an Israeli artist. They were both intimates of the Beckett circle in Paris 50 years ago. A world of food, drink, art and endless talk that she has recreated from notes in her memoir How it Was .”

Audio|Thu, 20 Apr 2006|More from Open Source
|charlie chaplinfound at0:09

“…one hundred years old this spring the playwright and novelist who lifted Charlie chaplin's tramp figure out the side and screen Underwood desolate high peak of 20 century that picture. Who gave his despair of the …”

Live Big, Part 1 of 2: Boston Legal TV Show Radio Podcast; Commentary on Boston Legal season 2, episode 16; published March 4, 2006; 74 min.

Live Big, Part 1 of 2: Boston Legal TV Show Radio Podcast; Commentary on Boston Legal season 2, episode 16; published March 4, 2006; 74 min.

Live Big, part 1 of 2: Boston Legal TV Show Radio Podcast Commentary; A story of fathers, daughters, partners, a new beginning, a final end, old flames, reconciliation, forgetting your life and living big. While trying to woo her back, Shirley Schmidt's ex-husband, Ivan Tiggs (Tom Selleck), wants her to be his 'best man' at his upcoming wedding with an annoyingly perky woman. Meanwhile, Paul Lewiston's estranged daughter, Rachel, who he claims blindly stole from him to feed her drug and alcohol habits, comes back into his life after seven years. And Alan Shore defends a man who said he was only complying with his wife's wishes when he assisted in ending her life.

Audio|Mon, 6 Mar 2006|More from Boston Legal TV Show Podcast
|charlie chaplinfound at46:13

“…an update where at the Muppet is accorded every. And. It where Charlie chaplin started his whole recording career he's seen everything around it where i mean UTU a Rolling Stone John Lennon. Glad it made …”

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